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A P E R T U R E   A N D   S H U T T E R    S P E E D

FOCAL LENGTH

This is the distance that a lens takes to focus light coming from infinity.

 

About 45-55mm = “Standard Lens”

12 mm – 35 mm = “Wide-angle”

100 – 500 mm = “Telephoto”

 

These are calculated for 35 mm film.  Smaller digital sensors generally have a 1.5 times multiplication factor. (i.e. a 35 mm wide-angle lens acts as if it is a standard lens)

 

 

A P E R T U R E

The reciprocal of focal length (1/focal length) can be used to measure “aperture” of a lens.

 

Small apertures let less light reach the film or digital sensors, but give greater depth of field (i.e. more of the photograph is sharply in focus, from close to the camera to the far distance)

 

Wide apertures let more light reach the film or sensor, but give a shallower depth of field.

Aperture:
f / 2  
 
f / 2.8
 
f / 4   
 
f / 5.6
 
f / 8
 
f / 11
 
f / 16
 
f / 22

 
Wide aperture lenses are difficult to manufacture and so expensive to make.
 
Wide apertures let more light in to reach the film or sensor, and so allow the user to use a faster shutter speed. They have a more limited depth of field.
 
 
 
 
 
 
Small apertures let less light in to reach the film or sensor. For this reason slower shutter speeds are required and a tripod may be needed. They have a much greater depth of field.
 

Small apertures (e.g. f /11, f /16, f /22) are often used for landscape photography where great depth of field is required.

 

Large apertures (e.g. f1.8, f.2.0, f.2.8) are often used by sports and wildlife photographers. Here depth of field is less important, but it is essential to have as much light entering the lens as possible.

Shutter:
1/8th sec
 
1/15th sec
 
1/30th sec  
 
1/60th sec
 
1/125th sec
 
1/250th sec
 
1/500th sec
 
1/1000th sec

At these slow speeds movement of water is blurred.
 
 
 
 
 
 
1/60th second is normally the slowest speed for hand-holding a standard lens.
 
 
At 1/250th second slow movements are frozen.
 
 
 
At 1/1000th second fast movements are frozen.

Sports photographers and wildlife photographers often need high shutter speeds to freeze the “action”.

For landscape photographers this is not as important.